London Someting Dis ( the history of jungle documentary ) – 1993
Check out this wicked documentary about the history of Jungle music. Produced sometime around 1994 in the UK.
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nubloom
Girl Talk and Copyright Infringement
Its always a fun time when big record company’s go after amazing DJs that please crowds Around the world. Take a gander at this documentary about our music scene’s eternal struggle against corporate giants.
Death Rattle, and 
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m.lewis
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Death Rattle
That’s an easy one:
Because music is easily STOLEN and this liberal country protects thieves.
As music has been devalued to this point, no one really gives a shit- and why should they? It’s not THEIR dime…
Enjoy your destruction of music, mJewis. If everyone shared your point of view, there wouldn’t BE any to listen to.
nubloom
Rave On – 1994 NYC
Pretty accurate depiction of the NYC rave scene in the mid-90′s. Some big names show up in this when they were still pretty young; Scotto, DB, and Adam X
From the director:
Nominated for Best Short Film at the 1996 Sundance Film Festival, “Rave On” gives an inside look at the New York City rave underground of the mid-1990s. The first HD-originated film ever nominated at Sundance.
Thanks BreakfastScienceBoard for the find.
nubloom
Drop the Lime (The Breakcore Days)
I recently came across a film called “Notes on Breakcore.” I was curious what the Europeans had to say about this unique genre. If your interested in it as a genre, check out the directors website: http://breakcore.net/
More interestingly however was seeing my friend Luca aka Drop the Lime aka Curses! the man behind the amazing Trouble and Bass parties being on this European documentary.
Check out the video below to see what he has to say about breakcore and the internet. Quite funny..
*Warning* This is a 30mb file, so I recommend pushing play, then pause.. waiting a few moments and push play again so it doesn’t get all skippy like.
Quite interesting. If someone publishes a book and quotes from another author or literary source, they are required to merely have a citation in the book giving credit to aforementioned sources and NOT pay royalties.
Why can’t this same model exist with music?